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| Will_and_Echo |
| Back to blessed civilisation. It's good to be home |
| Mostly sleeping at the moment. Taking some time off to indulge in being utterly, stupidly in love, adore our playpartners and generally be fabulously content with life Normal service shall be resumed soon. Have some poetry in the meantime. |
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Last Gods by Galway Kinnell She sits naked on a rock a few yards out in the water. He stands on the shore, also naked, picking blueberries. She calls. He turns. She opens her legs showing him her great beauty, and smiles, a bow of lips seeming to tie together the ends of the earth. Splashing her image to pieces, he wades out and stands before her, sunk to the anklebones in leaf-muck and bottom-slime &emdash; the intimacy of the visible world. He puts a berry in its shirt of mist into her mouth. She swallows it. He puts in another. She swallows it. Over the lake two swallows whim, juke, jink, and when one snatches an insect they both whirl up and exult. He is swollen not with ichor but with blood. She takes him and sucks him more swollen. He kneels, open the dark vertical smile linking heaven with the underneath and licks her smoothest flesh more smooth. On top of the rock they join. Somewhere a frog moans, a crow screams. The hair on their bodies startles up. They cry in the tongue of the last gods, who refused to go, chose death, and shuddered in joy and shattered pieces, bequeathing their cries into the human mouth. Now in the lake two faces float, looking up at a great maternal pine whose branches open in all directions explaining everything. |
Beauty and the Beast | Jaimes Alsop 1. The Beast Knowing how you loved the birds I fixed them to the trees so they wouldn't fly away. So you would stay. . And you remained silent and never questioned my bloody palms or reproached me the birds because they didn't sing. . It couldn't last, of course. No new birds came and those crucified were taken by small animals or simply disappeared from the nails. I was sure then that you would leave me. . Finally I confessed. Trembling, I brought you the hammer and showed my broken fingers. Leaves and branches in my hair, the diagrams of Autumn on the sky. . And you smiled and said it didn't matter about the birds and drank at my tears like a rare and fragile wine that they too would not be wasted. . 2. Beauty I came to you so carelessly there were those who thought I had not been warned. I could only point to the false lovers who carried marks where you had pressed coins into their palms and admit I was impatient for your scars. . The rumours followed us as easily as if you murdered me every night; hemlock in my evening wine, a loosened bannister on the stair. The dull villagers and daft princes waited still and at distances for grave news and relentless until I could only point again at their jealous eyes and whisper I had discovered why you handled me as though I were made of glass. . I know they want to know about our bodies. Our virginity confuses them and they are reduced to words and silences. What shall we allow them to believe? . We are a thousand years old, no histories and nothing to confess. |
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Emma Trelles | Millificent No one has entered the stone of this place in a century, the dust has powdered even the cat's lashes. Still I sit, robes folded, crown pinned upon the river of my braids, their diamond points have not forgotten how to find the door. It is kept open. Someone might yet care to find his fate. Once there were feasts here, tables set in silk, glazed peacock and pomegranates so ripe a look from me would tear their skins. . I love the quiet. The void of voices begging me for youth and vengeance, for the fastest way to travel over water or how to spy by moonlight. I love how my hands do little but settle on my velvet lap. . Afternoons I rise to circle the gardens, the devil's trumpet large enough now to shade all that lies beneath it: moss, pond, the small star blossoms that burst in clumps along the earth, so bright, so content to bleed their red selves into shadow.
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'Come to me here from Crete' . Come to me here from Crete, . To this holy temple, where Your lovely apple grove stands, And your altars that flicker With incense. . And below the apple branches, cold Clear water sounds, everything shadowed By roses, and sleep that falls from Bright shaking leaves. . And a pasture for horses blossoms With the flowers of spring, and breezes Are flowing here like honey: Come to me here, . Here, Cyprian, delicately taking Nectar in golden cups Mixed with a festive joy, And pour. . By Sappho, Translated by A. S. Kline
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